Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

What was going on at Bennington College in the 1980s? Matthew Tyrnauer reveals the not-so-secret history of a small (enrollment: 700) liberal arts school that nurtured a shocking amount of genius. Bret Easton Ellis (American Psycho), Donna Tartt (The Goldfinch), and Jonathan Lethem (The Fortress of Solitude) were standouts amongst many young creatives, who found plenty of inspiration and material within the messy realities of this collegiate petri dish.

During a self-taped audition for a film about the apocalypse, 15-year-old Tyler realizes that the end might not be fiction after all.

A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.

Jack Joyce, who worked in old Abner Hope's garage, was always dreaming of big schemes, but had no capital with which to realize them. Abner Hope, who is regarded as a "queer one," tell Jack that the world will end on September 1st, and gives him his savings to spend during the few remaining weeks. As a result, Jack becomes a king of power, and becomes engaged to Curt Horndyke's daughter, although he loves Mary Ellen, Abner's granddaughter. Then comes the climax - the end of the world - which, with its dénouement, makes one of the most fascinating endings ever screened.

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Over footage of her old house and nighttime footage shot from her car, Lucille Hanson rambles unscripted about her recent move and her thoughts on it. Contains discussions of trauma and abuse.